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Arcadia Missa x Cherish

Reba Maybury, Sidsel Meineche Hansen, Joanna Robertson

Reba Maybury, Sidsel Meineche Hansen, Joanna Robertson

Reba Maybury is an artist, writer and political dominatrix who sometimes works under the name Mistress Rebecca. As a dominatrix, Maybury aims to subvert and question Her submissives’ conceptions around power and authority, in regards to the dynamic of dominance, submission and transaction. One of the methods she employs consists in instructing the submissives to carry out labour for Her, and by putting their labour at the centre of Her artistic process she furthers Her power outside of the men’s fetish of her as a ‘strong woman’. In doing so, she also occupies a position of institutional critique, questioning the notion of authorship, as seen in Her Signature Paintings.

 

Day of Wrath is a video collaboration between Maybury and fellow artists and friends Sidsel Meineche Hansen and Joanne Robertson, commissioned as part of WITCH HUNT at Kunsthalle Charlottenborg (DK). The video reworks the opening of Carl Theodor Dreyer’s 1943 namesake film (which depicts the execution of a Danish witch) to Dies irae, a 13th-century melody used in the Mass for the Dead, which is played in reverse. The artists collaborated with musical artist Joanne Robertson, who improvised over the Gregorian Dies irae melody, played in reverse. Another source material of the video work is 12 Rules for Life, Jordan Peterson’s polemical book on the crisis of masculinity that became popular amongst male alt-right and incel (‘involuntary celibates’) communities online. Hansen and Maubury rewrote the 12 rules with illustrations executed by Maybury’s male submissives who lend their fantasies and drawing styles to the artists’ ideas.

 

Developing the ideas of the video, Maybury and Meineche Hansen created another 12 Rules for Life, a series of copper etching plates and prints.

Manutcher Milani

Manutcher Milani

In his recent body of work, Manutcher Milani tackles inherent forms, symbols, and gestures. Using various techniques such as airbrush, painting and tufting the artist reflects on his mood in a spontaneous and calculated manner where there is no intention of depicting existing forms or subjects, instead he focuses on creating visual sensations.

 

Manutcher Milani (b. 1996, Ghana) lives and works in Zurich. Milani is a painter and carpet maker. His work stands out through an abundance of symbols, dazzling colors, and ornaments. Traditional Ghanian Adinkra symbols and Persian carpets have influenced the artist since his childhood. The artist reads his carpets and paintings as moods, where there is no intention of depicting existing forms or subjects. Milani recently graduated with a Bachelor’s degree from the Zurich University of the arts. In his recent solo show LOOPY, Milani tackles the subject of spirals with a wide variety of works in different mediums; light, metal, wool. Selected exhibitions include: “Summer of Suspense” a group show at Kunsthalle Zürich (2020), “Woshbourg”, a group show at Galerie Weiss Falk Basel (2020) and “Fading into Obscurity”, a solo show at Ballostar Mobile Bern (2019).

Phung-Tien Phan

Phung-Tien Phan

In her sculptures and videos, Phung-Tien Phan explores the social implications of everyday objects. Her assemblages reflect a generic Millennial sensibility, exposing how roles play out in public and private, as we carefully curate the cultural references that we surround ourselves with.

 

In the video Girl at Heart, we see the artist strolling along a luxury shopping avenue while she sarcastically contemplates the creative class’ obsession with luxury furniture and fashion. Other moments in the work show moments from the artist’s life – walking or having dinner with a friend, cooking at home. Put all together, these banal fragments find beauty in the unspectacular.

 

Her Volkswagen cabinets consist of shelving units crowned with retro Italian coffee tables serving as vases for exotic flower displays. On the bottom shelf, Phan reconstructed a cramped studio interior, common in Vietnamese cities, with dollhouse furniture. All the elements including the walls and floors are painted the same colour, erasing the possibility for any mark of individuality. The upper shelf echoes Buddhist shrines popular among the diaspora, but the traditional candle has been replaced by a coloured lightbulb. Here again the incongruous yet cheerful combination of objects conveys an unexpected poetry, as the works read like a multi-generational biography.

 

Alex and Edward (2021) is part of a series of press board vitrines that Phung-Tien Phan started in 2019, where she presents photographs of young male international pop stars alongside German advertising toy trucks. The work evokes that awkward age between childhood and early teenagehood, where pop culture consumerism plays such an important role in helping us define who we are or strive to be, as adults-to-be who aren’t children anymore.

Philippa Schmitt

Philippa Schmitt

Graphic design enfant terrible Philippa Schmitt creates female-centered characters and worlds that upcycle the semantic codes of popular culture. Through an obsessive and kleptomaniac appropriation of symbols, logos and lyrics, larger-than-life, saccharine and saturated teenage-bedroom-stationery drawings conjur up female and feminist narratives, where arrogant yet cute divas “Big like the Nanas of Niki, Powerful like the ball and chain of Gogo Yubari” spearhead post-heteronormativity. In this grotesque visual exacerbation of emotion and intimate experience, the artist pits decoration and its perceived “femininity” against the so-called “masculine” insensitivity of minimalism and affirms the female as active and all-powerful.

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Arcadia Missa x Cherish